Video: Watch a Ccene from Thornton Wilder's THE EMPORIUM at Alley Theatre
by Joshua Wright
- May 29, 2024
Get a first look at Alley Theatre's production of Thornton Wilder’s The Emporium. Directed by Melrose and completed by Kirk Lynn, this existential play asks the question - if life is a job interview, do we qualify for our existence? Check out the all-new video.
A STREETCAR NAMED DESIRE Comes to Melbourne in July
by Stephi Wild
- May 28, 2024
Melbourne Theatre Company’s Season 2024 centrepiece, A Streetcar Named Desire, one of the most celebrated plays of the 20th century, will begin performances at Arts Centre Melbourne, Playhouse from 9 July.
LILLE EYOLF is Now Playing at Dramaten
by Stephi Wild
- May 23, 2024
Livia Millhagen och Erik Ehn spelar föräldrapar i Ibsens drama om passion, svartsjuka och skuld. Det handlar om allt som är ett äktenskap i dag och om att drabbas av den största sorgen – att förlora ett barn.
Interview: RON JONES of APPROPRIATE at DIRT DOGS THEATRE CO.
by Brett Cullum
- May 22, 2024
Ron Jones is a legend of Houston Theater. He's an actor, he's a director, he's a producer and a fashion icon (the man dresses to impress!). Ron helps run his own theater company, On The Verge and often directs in other places. And we're here today to discuss the upcoming APPROPRIATE, produced by the DIRT DOGS at the MATCH venue.
Finn Beames & Company Receives Oxford Samuel Beckett Theatre Trust Award
by Stephi Wild
- May 21, 2024
The Barbican has announced the winner of the 2024 Oxford Samuel Beckett Theatre Trust Award, Finn Beames & Company. The new work, Quiet Songs, is a piece of music theatre for a single actor, a string quartet and an armoury of swords, and will receive its world premiere in The Pit as part of the arts centre's autumn season.
Review: CAT ON A HOT TIN ROOF at Gaslight-Baker Theatre
by Victoria Schwarz
- May 6, 2024
Choosing to perform a Tennessee (Thomas Lanier) Williams (1911-1983) play means genuinely committing to some of theater’s most salient aspects: in this case, a plot that must capture and then hold the audience in unfolding layers of tragedy, characters that are complex and often display less-than-desirable human characteristics, believable delivery of modified language to portray a specific region or temperament, performance of disconcerting and sometimes virulent spectacle on a human scale, and production design that rises to the needs of the story.
|
|
